Things to do in Sydney today

It’s no secret that Vivid grows every year, gaining new hot spots around the city for glowy light installations, ridiculously yummy food and an all-round vibrant atmosphere. This year, the 25 Martin Place building and surrounds will have all three of those things going on – it’s back in the Vivid line-up for the first time since 2018.  Here’s our pick of what you have to check out if you’re in Martin Place during Vivid (which we reckon you should be):  Aalia X Moët Hennessy Check out the luxe plaza area of 25 Martin Place for a glamorous collab between Middle Eastern fine-diner Aalia and opulent beverage label Moët Hennessy. They’re opening a pop-up bar where the cocktails and tasty bites will be plentiful. Catch them from 3pm for a warm-up tipple or ’til 10pm when the city is alight and in the full Vivid swing. BioDream Walk the line between your subconscious and reality with this mind-bending projection of mangroves, rippling water and flying albatrosses projected onto the futuristic looking mushroom-shaped building at the entrance to 25 Martin Place. Stunning, and it's part of the Martin Place Vivid Trail. Affordable nibbles With the packed crowds, restaurants that book out weeks in advance and so much ground to cover, sometimes a cheeky takeout from the food court is the best option on a Vivid night out. 25 Martin Place even has dessert covered with a Gelato Messina on site – so you can spend more time hopping between Sydney’s light shows with a dessert cone in hand. ...

Vivid is doing things differently this year. For Vivid Sydney 2025, it’s not all watching the Opera House turn technicolour and wandering around The Rocks looking at the lights (though that’s still very much worth doing). This year, sparkly season is going beyond the big, CBD landmarks and lighting up one of Sydney’s trendiest inner city neighbourhoods: the Hollywood Quarter. First up, let there be light. From now until the closing night of Vivid (Saturday, June 14), the streets of HQ will glow with neon-toned nods to the world of cinema. Wander the neighbourhood and trace luminous movie soundtrack lyrics and famous quotes; this one’s a Vivid light display for cinephiles.  Then, there’s the event program – which is taking over venues across the neighbourhood with ongoing and one-off events. Every Saturday of Vivid, the Hollywood Hotel will be hosting live music and DJs in its moody ‘Vivid After Dark Lounge’, with snacks catered by nearby Butter served until 11pm. Around the corner, Golden Age is transforming into a dreamlike realm for the duration of the festival, with live music, performance art and kooky, obscure installations inspired by the beloved late director David Lynch. The Vivid line-up at Golden Age includes a performance by Marcus Whale and Nini Voss covering Lynch originals, and they’ll be screening dream-inspired movies in the next door cinema throughout sparkly season. The Soda Factory is also stepping up its entertainment game for the duration of Vivid,...

Enter the KXT on Broadway theatre, which has been transformed into a brutal and deadly jousting arena. Choose a side, and sit on that side. DO NOT CROSS THE STAGE! THERE ARE SPIKES AND MIRRORS THAT YOU CANNOT STEP ON! Now wait. You’re here for The Anarchy (1138-53). You will be overwhelmed for 2 hours and 15 minutes. You might like it, or you might hate it, or you might choose to leave. None of that’s up to me, but once you’ve seen it, you might like to read something to help you make sense of it. Here is my attempt to write something about it for that purpose, with the caveat that all criticism is somewhat subjective, and nothing is a substitute for going outside and buying a ticket and taking a risk on a brilliant (or awful!) experience. Presented by UK/Australian experimental theatre company Doppelgangster in association with bAKEHOUSE THEATRE COMPANY, and performed by sibling duo Kerith and Tobias Manderson-Galvin, The Anarchy (1138-53) is Part 1 of an odyssey set in the fictional medieval town of Cross Roads. Doppelgangster boasts that their previous works have generated walkouts, physical fights and cancellations, along with cult followings and critical acclaim – and this new presentation proudly channels that rebellious spirit. The Anarchy (1138-53) is something like a DIY punk/garage gig, a role playing game, a Brechtian nightmare, a couple of clowns finding meaning, or a cabaret. But it’s really none of those things either. It repeats and loops in on itself, with...

Some plays roar and plead for your attention. Others hum softly, sitting in moments of elongated silence. American playwright Amy Herzog’s Mary Jane, a quietly devastating story of single motherhood, illness and resilience does the latter – it earns your attention in the silences. As with life, the telling of these stories in theatre takes a village, and Mi Todo Productions have collected a dutiful village for this Australian premiere production at the Old Fitz Theatre. Nestled within a simple, white-washed apartment in Queens, this one-act play traverses the journey of a single mother, Mary Jane (Eloise Snape) and her toddler, Alex. It is neither grandiose nor extravagant, but instead approached as a ship-in-a-bottle type storytelling, with Mary Jane’s apartment and the children’s ward at the hospital being the only settings in our storybook. Born prematurely, Alex’s health issues give way to worsening seizures and the need for constant around-the-clock care. As the initial scenes commence, Herzog breadcrumbs her audience with details of Alex’s condition, with diagnoses including cerebral palsy, paralysed vocal cords, and lung disease. A small beeping offstage informs us of someone in need of care, and further conversations eventually reveal that Alex’s condition is worse than previously thought, as Mary Jane struggles to grapple with the gravity of the situation. (Pack tissues for this one, folks.) Less is more in this production, but it’s not without an impressive bit...

It’s time to ring that bell and check in for an intoxicating blend of Parisian cabaret, dazzling aerial artistry and breathtaking burlesque. Following sold-out seasons at the Sydney Opera House and the Adelaide Cabaret Festival, L’Hôtel returns to Sydney this winter, taking over the brand new Foundry Theatre from May 24 to July 6. Sydney’s own enfant terrible prince of pop Brendan Maclean takes centre stage, causing mischief alongside acting legend John Waters (Offspring, All Saints, Bloom) as L’Hôtel’s devoted hotelier, as well as a jaw-dropping cast of multi-talented entertainers.  The creation of visionary director Craig Ilott (Gatsby at the Green Light, Amadeus) and designer Stuart Couzens, this fresh twist on L’Hôtel promises to be more extravagant than ever. The pair describe the show as a world where temptation lurks in every shadow: “L’Hôtel is where elegance meets mischief, where stolen glances turn into whispered confessions, and every doorway leads to desire. It’s transportative, intoxicating, and unlike anything else in Sydney right now. Prepare to check in.” More than a show, L’Hôtel is a feast for the senses. If you choose to level up to the VIP experience, the night begins with a chilled glass of French Champagne, paired with a curated cheese board featuring the finest French selections. As the drama unfolds, guests will savour delicate éclairs and enjoy dedicated table service – fully immersing them in the seductive world of L’Hôtel from the best seats in...