Things to do in Melbourne today

Way back when Tim Burton was a much weirder filmmaker, my wee brother and I were unreasonably thrilled by the chaos engine of awfully bad behaviour that was Michael Keaton’s unhinged and unwashed demon, Betelgeuse.  The grotty pinstripe-suited monster ate up the 1988 film of not quite the same name – the studio figured folks would stay away unless the title was simplified to Beetlejuice. Named after the red supergiant star blazing ferociously in the constellation of Orion, some 600 light years from our solar system, Betelgeuse is an outcast from the hilariously bureaucratic afterlife, aka the Netherworld. Which leaves him preying on the naïve recently deceased, like sweet young couple Adam and Barbara Maitland (Alec Baldwin and Geena Davis), in an attempt to crowbar open the sort of ridiculous loophole the Greek gods are fond of. Say his – apparently too complex – name three times and he’ll be unleashed on the mortal coil once more.  But Betelgeuse’s sleazy attentions are soon distracted by Winona Ryder’s goth child Lydia, when she reluctantly moves into Adam and Barbara’s now-empty house with her dad, Charles (disgraced actor Jeffrey Jones), and his new squeeze, OTT sculptor Delia (fabulously demented goddess Catherine O’Hara). A smash hit, Beetlejuice is a wild and unruly thing writhing with unhinged ideas, from its stop-animated black and white sand worms to characters shrunk into a model of sleepy town Winter River, and on to the hilariously-depicted dead of the...

Snakes have curled their way around mythology for millennia. Present in countless creation stories from Egyptian, Greek and Indian to Norse and First Nations cultures (including the Rainbow Serpent), the loaded symbolism of this coiled creature clasping its tail between its fangs – the ouroboros – evokes eternity.  Sometimes the serpent holds the world together. Other times, it’s a constricting chaos agent. Either way, the fireside nature of myths, oft-shared in storytelling sessions spun under the stars, is inherently unending, melding anew with each retelling. Tackled by everyone from Roman poets Virgil and Ovid to Canadian indie rockers Arcade Fire and Katee Robert’s queered novel, Midnight Ruin, the myth of Eurydice and her Orpheus finds new life in the hands of folk singer-songwriter Anaïs Mitchell. Her eight Tony Award-winning smash-hit musical Hadestown began life as a sung-through community project before she turned it into a concept album, and then a Broadway smash with help from director Rachel Chavkin. In most Greek tales, Eurydice and her Orpheus are happily married, torn apart by a cruel twist of fate: a viper’s bite (sometimes while pursued by toxic dudebro Aristaeus), not even a malicious god in disguise. As she fades into the Underworld, ruled over by Hades and his niece/abducted wife Persephone (!!!), a desolate Orpheus, son of a musical muse, plays his lyre like her life depends on it. Descending into the abyss and crossing the River Styx, he makes a...

If there's one fantasy series to rule them all, it's hard to go past The Lord of the Rings. And now, Middle-earth is about to collide with our cultural capital, with the news that The Lord of the Rings – A Musical Tale, has landed in Melbourne. Based on J.R.R. Tolkien’s beloved epic trilogy, the stage production is showing at the Comedy Theatre until June 22. This musical invites audiences to join the Hobbits on a quest, bringing Middle-earth to life with a cast of multi-skilled actor-musicians in a theatrical event that celebrates community, courage and camaraderie – featuring an original folk-inspired score.  *** Time Out Sydney reviewed The Lord of the Rings - A Musical Tale when it played at the State Theatre in January. Read on for that three-star review:   For elder Millennials like me, The Lord of the Rings franchise conjures memories of a simpler time: a time when movies were treated more like a coveted form of storytelling rather than just another option in an endless barrage of ‘content’ to ‘stream’. A time when I would go to the local cinema to watch each new instalment in the adventures of my favourite beardy boys club with my dad, who even loaded my sister and I into the car for a day trip to Sydney to check out an epic exhibition about how those epic movies were made across the ditch in New Zealand. (So many used prosthetics! So cool!) I believe that there’s elements of LOTR lore that are so inescapable that you need not have watched the movies or read the...

Get your wands at the ready, because Melbourne is set to play host to the Australian premiere of Harry Potter: The Exhibition. This behind-the-scenes extravaganza will leave Potterheads spellbound, and features interactive recreations of famous film scenes, props and costumes from the Broadway production of Harry Potter and the Cursed Child, a multimedia experience featuring the Whomping Willow, dementors, the Marauder's Map and the chance to conjure a Patronus charm. Budding witches and wizards will be sorted into Hogwarts houses and earn points as they explore the exhibition – it could be through a potions class, predicting the future à la Professor Trelawney in Divination or defeating a boggart in Defence Against the Dark Arts. There will also be opportunities to practice spell casting and Quidditch skills, plus win golden snitch medallions to become a model student. Each experience comes with plenty of photo ops and, of course, magical interactive moments. There's even a recreation of the Great Hall for visitors to enjoy in all its splendour, complete with floating candles.  This official Harry Potter exhibition is part of a global tour, previously selling out in cities like Boston and Madrid. It will be apparating into Melbourne on April 4, with tickets on sale now. You can find out more about this enchanting experience via the website.  Looking for more family-friendly things to do? Here's our guide to the best activities for kids in Melbourne. 

In 1984, director Trevor Nunn was doing press for Andrew Lloyd Webber’s Starlight Express when he offered the perfect maxim for a Webber fan: “Here is my money. Hit me with the experience.” Arguably none of Webber’s shows have hit harder than his 1971 rock-opera, Jesus Christ Superstar, which arrives at Melbourne’s Princess Theatre after a much-lauded run in Sydney. First revived at London’s Regent’s Park Open Air Theatre in 2016 for the show’s fiftieth anniversary, it’s been restaged in Australia by director Timothy Sheader. Sheader favours a ‘more is more’ approach, leaning into every ‘Webber-ism’ that made the show a success in the first place: rock'n'roll maximalism, near-inhuman vocal lines, emotional spectacle. No crucifix is too glittery or top note too loud. Megawatt vocals and an electric ensemble cast make it a cut above the other Webber revivals we’ve seen in the last couple years. Yet its heavy-handed approach also exposes the limits of spectacle for spectacle’s sake, even when it comes to Webber. It’s a dazzling experience, but ultimately soulless.  The curtain rises on a disassembled rock concert: amps, concert speaker boxes and microphone stands peppered around a set of towering balustrades, exposed steel beams and grating that hide the band. Set and costume Designer Tom Scutt puts us somewhere between Rent’s gritty urbanism and the steampunk simplicity of Hadestown. Meanwhile, lighting designer Lee Curran adds a splash of Mad Max to things by throwing dirty...

May the 4th is a special date for any Star Wars fan, but this year it'll be one to remember. A brand-new Lego Star Wars exhibition is making its world premiere, and it won't be in a galaxy far, far away but right here in Melbourne.  Lego Star Wars: the Exhibition at Melbourne Museum comes from revered Lego genius Ryan 'Brickman' McNaught, who's back with his latest mind-boggling project of massive Star Wars brick creations – some standing at a whopping four metres tall.  There'll be Lego replicas of many of the iconic characters, fan favourite scenes, spacecraft and more, from both the classic films and newer releases. Plus, the exhibition will include interactive brick-based activities inclusive of all ages.  While there's still some time to wait for the exhibition opening, building has already begun, and it's expected it'll take more than 25,000 hours to finish and use a wild 8 million Lego bricks. One of the most monumental creations is a three-metre-tall red X-wing spacecraft, made of an astonishing 64,759 bricks, taking 382 hours to build.  "Fans will be blown away by the scale of the experience," Brickman says. "Building these iconic scenes and characters in Lego Star Wars form is an extremely complex task – taking the humble Lego brick and using it by the millions to translate into Star Wars builds and models at an epic scale the world has never seen before.  "My team and I are super excited to launch this mind-blowing experience right here in Melbourne. My inner...

“The wind changed overnight, and it was winter,” writes Daphne du Maurier in the ominous mood-establishing opening line of her im-peck-ably crafted ecological horror, The Birds, in which our avian observers inexplicably turn against us.  A chill that appears to have flocked to Melbourne just in time for the stage adaptation of the same name opening at the Malthouse Theatre, a few short days after an Indian summer unexpectedly froze over. The Birds marks the final in-house production helmed by outgoing artistic director Matthew Lutton, working from a screenplay by multi-disciplinary writer Louise Fox (The Trial). She’s hewn much closer to the talons of the du Maurier yarn than the Alfred Hitchcock film. First published in her 1952 short story collection The Apple Tree, du Maurier’s warning is set in the isolated farms and blustery cliffs of her Cornwall home. The winds of change then brought a shiver of a different kind via the nuclear threat of Cold War.  “Can you tell me where this cold is coming from? Is it Russia? I’ve never seen such a change,” says Mrs Triggs, the neighbour of Nat Hocken, the WWII veteran on a disability pension at the centre of the short story, in a telling nod.  As with Hitchcock’s freely spinning screenwriter Evan Hunter, Fox centres a woman as our protagonist. But not the spiky San Francisco socialite Melanie Daniels of the film, depicted by Tippi Hedren, who was infamously tortured by Hitchcock in her cursed debut appearance. Instead,...

Attention, sweet tooths: the Yarra Valley Chocolaterie, Great Ocean Road Chocolaterie and Mornington Peninsula Chocolaterie are bringing back the annual Rocky Road Festival this May. It’s predicted that more than a whopping 100,000 handmade blocks will be churned out across the 31 days, using a base recipe that’s every rocky road lover’s match made in heaven: fluffy housemade marshmallow and smoother-than-satin couverture chocolate. You'll be able to sample something new, get your hands on a made-to-order one-kilogram block or try a kooky creation at one of the interactive tasting sessions.  How does a rocky road hot chocolate or ice cream sundae sound? There will also be a special limited-edition dessert menu inspired by the classic Aussie treat. The European chocolatiers plan to rock your palate with 31 distinct festival flavours, including Dubai chocolate, Biscoff honeycomb, caramel Toblerone, mango chipotle, peanut butter pretzel and many more. Those with the unfortunate dual diagnosis of an intolerance and a sweet tooth are in luck. Vegan and gluten-free creations will be available for tasting across the three chocolateries so nobody needs to miss out. Could it get any sweeter?  Click through to the website here for more information. Those who can’t venture out to the Yarra Valley, Surf Coast and Mornington Peninsula can get their fill of the festival’s chocolates straight to their door thanks to a delivery service.   Looking for more things to do? Check out our...

Melbourne’s cutting edge digital art gallery, the Lume, is bringing back its beloved opening exhibition for a summer season, after breaking attendance records in 2021. Last time, the immersive experience attracted a whopping 1.8 million visitors between Australia and New Zealand, making it the region’s most visited ticketed cultural event.  Van Gogh made kaleidoscopic waves through the city when it served as the first-ever exhibition at the digital gallery, re-shaping the way Melburnians experience art. The experience reimagines the now-famous painter's works as projections that completely ensconce you in an 11-metre tall gallery, allowing you to feel like you're in van Gogh's bedroom or under that famous starry night. A mirrored infinity room filled with countless sunflowers also features, which is particularly Instagrammable.  For the return season, the Lume is adding a brand-new virtual reality experience called Finding Vincent. Slip on a headset and learn more about van Gogh’s life, alongside friends or companions.  Within the Lume, visitors can experience art all around them. Instead of looking at paintings on walls or sculptures on plinths, art is projected onto the walls to make you feel like you've stepped inside the paintings themselves. Scents and sounds are also pumped into the gallery to add to the experience.  If you get peckish you can also drop into Terrace Café 1888 where you can snack on delights inspired by both van Gogh's work in France and his Dutch...

The Immigration Museum on Flinders Street is getting its first major exhibition in several years and it’s all about leaning into what makes us happy. The exhibition, called Joy, will run through until August 29, 2025. Joy features seven brand new commissioned installations from leading Victorian-based creatives, each expressing the artists’ own personal joy. You can expect an emotive adventure where colour and storytelling combine, and big happy moments that sit alongside more reflective ones. Experience the vibrant power of joy as you walk amongst room-sized interactive artworks, or contribute your own joy with the collaborative ‘share your joy’ wall. Venezuelan-born Australian artist Nadia Hernández has filled the Immigration Museum’s hallway with bold collage works, ‘future positive’ fashion designer Nixi Killick has created a ‘joy generator’ and queer artist Spencer Harrison has created a runway where you can strut your stuff. Jazz Money, a Wiradjuri poet and artist, has fused sculpture, audio and mural for a work reflecting the history of the museum site, while local artist Beci Orpin has taken over a room with a giant toy rabbit made to be hugged. Afghanistan-Australian visual artist and poet Elyas Alavi and Sher Ali have also created a large-scale mural illustrating a Persian myth.  Lastly, much-loved pop artist and designer Callum Preston has constructed a full-scale replica of a nineties video store, a joy he never thought he would miss until he realised it was...